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首页   上一页   下一页  末页     6/6                        每页10本图书
代理商:大苹果 GETTING IT WRONG: TEN OF THE GREATEST MISREPORTED STORIES IN AMERICAN JOURNALISM

页数: 270 到书日期: 2011-5-11 上传日期: 2010-7-5

中文概要: 出版商报道

《华盛顿邮报》报道了水门丑闻后,理查德.尼克松就垮台了吗?Walter Cronkite的评论有效停止了越南战争?威廉•蓝道夫•赫斯特1898年宣誓“终止战争”引发了与西班牙的冲突吗?《错误报道》中W. Joseph Campbell对于媒体趋向的事件真相或是易被接受的新闻界报道的真相进行了揭露,如果经过仔细核查,那些所谓的真相皆为假相。此类案件的暴露中-包括对那场世纪飓风卡崔娜带给新奥尔良的广泛知名度的报道的揭露- Campbell描述了此类神秘性事件的报道的成型过程,如何损坏政客名誉,并夸大新闻媒介的影响力度的。

“若日报是对历史的草拟总结,那么《错误报道》必然揭露这个草拟到底草率到何种程度。Joseph Campbell是位坚持自己主张的一流学者。”—加利福尼亚大学,伯克利分校新闻学研究生院院长,Neil Henry

“Campbell对于文章中的10件具有神秘性的媒体报道细致研究。此书使我们对已经成为历史并深入记忆中的重大错误报道进行反思。这是一本真正的趣味性书籍。”—美国报刊历史学者联合会Kobre终生荣誉大奖得主Wallace B. Eberhard(兼职翻译-PZ)


英文简介: From the Publisher
Did the Washington Post bring down Richard Nixon by reporting on the Watergate scandal? Did a cryptic remark by Walter Cronkite effectively end the Vietnam War? Did William Randolph Hearst vow to "furnish the war" in the 1898 conflict with Spain? In Getting It Wrong, W. Joseph Campbell addresses and dismantles such prominent media-driven myths-stories about or by the news media that are widely believed but which, on close examination, prove apocryphal. In a fascinating exploration of these and other cases-including the supposedly outstanding coverage of New Orleans during Hurricane Katrina-Campbell describes how myths like these can feed stereotypes, deflect blame from policymakers, and overstate the power and influence of the news media.

"If daily journalism constitutes history’s first rough draft, then Getting it Wrong certainly reveals how rough that draft can be. Joseph Campbell is a dogged and first-rate scholar."—Neil Henry, Dean, University of California, Berkeley Graduate School of Journalism

"Dr. Campbell has done meticulous research that examines ten media myths in context. This book rightfully calls us to rethink some significant errors that have become a part of our history and our collective memories. It is just downright interesting reading."—Wallace B. Eberhard, recipient of the American Journalism Historians Association Kobre Award for Lifetime Achievement

  版权销售情况:  简体中文: 简体版权未售    繁体中文: 繁体版权未售 
 
 
代理商:大苹果 COVERING DISASTER: LESSONS FROM MEDIA COVERAGE OF KATRINA AND RITA

页数: 150 到书日期: 2010-5-26 上传日期: 2010-5-26

中文概要: 2005年,记者们在报导美国海湾沿岸飓风卡特里娜和芮塔时面临巨大的挑战。他们想尽办法与人交流,辗转迁移,就为一点有用的信息。他们亲眼目睹了整个骚乱的过程,看着人类受苦受难(无能为力),为延误或无效率的营救机制大动肝火。自从他们自己变成了受害者,不止记者要面临这些危机问题,还要在看似不可能的情况下继续完成自己的工作。
灾难报导的功臣学习媒体报导灾难的经验,研究人类和专业处理机制。飓风卡特里娜和芮塔期间,记者大部分是通过采取情感平衡或更主观的报导方式,重新定义传统的公平、平衡、客观理念。这样一来,他们再次发现和强调新闻工作者的目的和技巧。这些长久以来都是贺曼公司的成就。他们这几月的辛勤工作获得了读者和观众的认可,因为十分受用,获得了政界支持。
既然现在飓风已逝,洪水浪潮已退,重建工作已然开展,那么以社会为中心的飓风新闻品牌不能被忘。(XJJ)


英文简介: In 2005, journalists faced enormous challenges while covering hurricanes Katrina and Rita along Americ?s Gulf Coast. They struggled to find ways to communicate, move from one place to another, and find reputable information. They witnessed complete chaos, observed human suffering, and were outraged with delayed or ineffective rescue mechanisms. Not only did journalists face these normal problems of crises since many themselves were among the victims, they were forced to do their jobs under circumstances that seemed impossible.

The contributors to Covering Disaster study human and professional coping mechanisms and lessons that may be learned from media disaster coverage. During Katrina and Rita, journalists responded largely by redefining traditional ideals of fairness, balance, and objectivity and by adopting an emotionally driven and somewhat more subjective reporting style. In this way, they rediscovered and emphasized journalistic purposes and techniques that have long been the hallmarks of greatness. Their work during those months of destruction and pain was applauded by their readers and viewers because it was useful, critical of officials who were not doing their jobs, sought support for those who were suffering, and took a position of public leadership.

Now that the winds have died down, flood waters have receded, and rebuilding has begun, the brand of public-oriented journalism found in the midst of the storms must not be forgotten.

  版权销售情况:  简体中文: 简体版权未售    繁体中文: 繁体版权未售 
 
 
代理商:大苹果 LA BELLA PRINCIPESSA: LA BELLA PRINCIPESSA: THE STORY OF THE NEW MASTERPIECE BY LEONARDO DA VINCI

页数: 208 到书日期: 2010-3-29 上传日期: 2010-3-30

中文概要: 「側寫--美麗的米蘭公主」中的這個女孩是一個保母、一個美麗的年輕姑娘,她身上散發著一股憂鬱感和力量,既溫柔又脆弱的美麗。這個悲劇故事中的小公主死亡時,年僅14歲。
但她究竟是誰? 到目前為止,最有可能的候選人是盧多維科斯福爾扎 公爵(Duke Ludovico Sforza)的私生女。

中文介紹:
達文西周遭好像圍繞著一股神秘的氛圍和魅惑--他的名字享譽全球,他的影響力和存在至今依舊持續主宰現代流行文化。
但令人驚訝的是,達文西遺留下的作品並不多。因此,當2009年10月的一個新的重大發現—達文西的一幅未曾問世的新畫作:米蘭美女側影,引起了社會大眾廣泛的震驚和熱烈討論。
這幅藏了五百年的畫作,是現今最不尋常的發現。這是由馬丁.肯普教授(Professor Martin Kemp)所領導的一個專家團隊,遵循一個線索,將蒐集到的證據、詳細的歷史研究和技術分析拼湊所出來的15世紀歷史重大發現!

馬丁.肯普教授引領我們進入一個重述歷史的旅程,他和帕斯卡柯特(Pascal Cotte)一同參與鑑定畫作,包括使用為了刑事調查所保留的法醫方法。
他在書中講述了指紋專家如何將這位偉大的文藝復興大師--達文西畫作< La Bella Principessa >上的指紋做配對。
這一發現無疑是對達文奇和他的世界投射了一道新的曙光。
我們也從這幅畫作中認識了這個女孩。她是一個保母、一個美麗的年輕姑娘,身上散發著一股憂鬱感和力量,既溫柔又脆弱的美麗。
但她究竟是誰? 到目前為止,最有可能的候選人是盧多維科斯福爾扎 公爵(Duke Ludovico Sforza)的私生女。馬丁.肯普教授也這麼認為:這個悲劇故事中的小公主死亡時,年僅14歲。
這幅畫先前僅以 一萬二英鎊 脫手,目前被認為可值一億五千萬英鎊。
這位義大利「側寫--美麗的米蘭公主」終於可以在世界各地展示,而負責證實這幅畫就是達文西真實畫作的人們傳頌著這個新發現和故事…。
這本書中有高等研究和豐富的插圖,「側寫--美麗的米蘭公主」揭示了文藝復興中偉大的主人翁—達文西的秘密,也將他的藝術帶到一個新的高峰。
Here’s the link to the exhibition website http://www.and-there-was-light.com/?lg=2&pg=36&pr=0 and the exhibition will be visiting all major cities in the coming months. (Sandy)


英文简介: In October 2009, a major artwork by Leonardo da Vinci was uncovered. The 500 year-old portrait is one of the most extraordinary discoveries of our time. This is the story of how a team of experts – led by Professor Martin Kemp –pieced together the evidence, detailed historical research and technical analysis to follow a trail that leads back to the 15th Century.

There is an element of mystery and an aura of mystical glamour that surrounds Leonardo. So when news of the discovery broke, it was met with astonishment, even disbelief. Here was a new work of art by a genius who left us astonishingly few – no more than a handful.

Martin Kemp takes us on a journey of discovery recounting the steps he and Pascal Cotte took in authenticating the painting including the use of forensic methods usually reserved for criminal investigation. He recounts how experts matched a fingerprint found on La Bella Principessa to the great Renaissance master.

This discovery throws new light on Leonardo da Vinci and his world. We learn the story of the girl who inspired the painting. The sitter, a beautiful young girl, displays a sense of melancholy and strength, a tender and fragile beauty. But who is she? By far the most likely candidate is the illegitimate daughter of Duke Ludovico Sforza. Martin Kemp tells, too, the tragic story of this princess who was to die when she was just fourteen years old.

Previously changing hands for just £12,000, the painting is now thought to be worth something in the region of £150 million. As ‘La Bella Principessa’ (The Beautiful Princess) finally goes on display to the world, the people responsible for proving it is one of Leonardo da Vinci’s tell the story of its discovery. Superbly researched and richly illustrated, La Bella Principessa reveals the Renaissance and its great master in a new light.

  版权销售情况:  简体中文: 简体版权已售出    繁体中文: 繁体版权未售 
 
 
代理商:大苹果 THE SYMPATHETIC MEDIUM: FEMININE CHANNELING, THE OCCULT, AND COMMUNICATION TECHNOLOGIES, 1859-1919

页数: 224 到书日期: 2009-8-13 上传日期: 2009-8-13

中文概要: 19世纪不仅见证了电报、电话、打字机的诞生,而且还有诸如通过自动书写与死者沟通的神奇。类似新技术的出现,现代的巫师许诺将被空间等被迫分开的人联系到一起;同时这种巫术需要有人来说出所谓的神“话”。无论是电的还是专注于精神方面的,这些交流广受女人的欢迎,无论在办公室,在电报站还是其他地方。吉尔加尔凡在本书中提供了丰富的细微差异,站在文化的角度分析了维多利亚时期和本世纪的转折时期,英国和美国妇女媒介的冉冉上升。审核了一系列关于女性频道在技术和超自然两方面的科幻探索。这些著作出自亨利詹姆斯、乔治艾略特、亚瑟柯南道尔、布兰姆斯多克、玛丽科瑞里、乔治杜毛利。加尔凡认为那个地位是为女人度身定做,因为她们可以讲很多内心深处的话。两个典型的特点,有同情心及自然而然的特质使得女人不再适合传话的作用。固定了他的文学分析讨论社会、经济及科学文化,加尔凡发现19世纪及20世纪早期女权交流沟通揭露了新的网络文化,呈现了普遍的对性别、对话、私密以及自身关系的观念。(XJJ)


英文简介: The nineteenth century saw not only the emergence of the telegraph, the telephone, and the typewriter but also a fascination with s?ances and occult practices like automatic writing as a means for contacting the dead. Like the new technologies, modern spiritualism promised to link people separated by space or circumstance; and like them as well, it depended on the presence of a human medium to convey these conversations. Whether electrical or otherworldly, these communications were remarkably often conducted?in offices, at telegraph stations and telephone switchboards, and in s?ance parlors?by women. In The Sympathetic Medium, Jill Galvan offers a richly nuanced and culturally grounded analysis of the rise of the female medium in Great Britain and the United States during the Victorian era and through the turn of the century. Examining a wide variety of fictional explorations of feminine channeling (in both the technological and supernatural realms) by such authors as Henry James, George Eliot, Arthur Conan Doyle, Bram Stoker, Marie Corelli, and George Du Maurier, Galvan argues that women were often chosen for that role, or assumed it themselves, because they made at-a-distance dialogues seem more intimate, less mediated. Two allegedly feminine traits, sympathy and a susceptibility to automatism, enabled women to disappear into their roles as message-carriers. Anchoring her literary analysis in discussions of social, economic, and scientific culture, Galvan finds that nineteenth- and early twentieth-century feminization of mediated communication reveals the challenges that the new networked culture presented to prevailing ideas of gender, dialogue, privacy, and the relationship between body and self.

  版权销售情况:  简体中文: 简体版权未售    繁体中文: 繁体版权未售 
 
 
代理商:大苹果 JOURNALISM: PRINCIPLE AND PRACTICE (SECOND EDITION)

页数: 256 到书日期: 1900-1-1 上传日期: 2009-4-7

中文概要:


英文简介: This is the indispensable guide to the theory and practice of journalism, now updated with 25% entirely new material. With its innovative text design, it creatively combines the experience and advice of practising journalists with the theories and insights from the academic study of journalism. This second edition thoroughly addresses the ‘converged’ nature of much 21st century journalism, with discussion and examples of online practice embedded throughout to represent the reality that online journalism is increasingly part of the job for all journalists.

New and improved features include:
· more examples, more depth, and more interviews with journalists.
· a whole new chapter on telling stories through pictures, whether on TV or online.
· fresh new examples reflecting today’s journalistic practice.
· more insights from online journalists on blogging, the use of video and audio on the web, interactive maps and other ways of doing journalism online

This new edition embraces the new without abandoning the fundamentals of what journalism is all about. It will continue to inspire students of journalism to reflect on everyday practice and connect it to academic debate.

  版权销售情况:  简体中文: 简体版权未售    繁体中文: 繁体版权未售 
 
 
代理商:大苹果 COPY, RIP, BURN:THE POLITICS OF COPYLEFT AND OPEN SOURCE

页数: 240 到书日期: 1900-1-1 上传日期: 2008-11-11

中文概要:


英文简介: Open source technology, like Linux, has revolutionised the world of copyright and expanded the technological potentials of digital media. From downloading music and ovies to accessing free software, digital media is forcing us to rethink the very idea of intellectual property. While big companies complain about lost profits, the individual has never enjoyed such freedom and autonomy in the market.
Berry explores this debate in a clear and concise way, offering an ideal introduction for anyone not versed in the legalistic terminology that -- up until now -- has dominated coverage of this issue. Looking at the historical development of the free software and the open source movement he examines its growth, politics and potential impact, showing how the ideas that inspired the movement have now begun to influence wider cultural and political transformations. He explores whether free software and open source offer the potential for re-thinking our relationship with technology in the information society.
This is a key text for students of media studies, politics, journalism and anyone interested in new opportunities for creating a truly independent and democratic media.

  版权销售情况:  简体中文: 简体版权未售    繁体中文: 繁体版权未售 
 
 
代理商:大苹果 PRINT IS DEAD: BOOKS IN OUR DIGITAL AGE

页数: 300 到书日期: 2008-3-18 上传日期: 2008-1-21

中文概要:


英文简介: Book Description
For over 1500 years books have weathered numerous cultural changes remarkably unaltered. Through wars, shortages, radio, TV, computer games and fluctuating literacy rates, the bound stack of printed paper has, somewhat bizarrely, remained the more robust and culturally relevant way to communicate ideas. Now, for the first time since the Middle Ages, all that is about to change.

Just as always-on communication has seen newspapers struggling for readers and relevance, and downloadable music has consigned the album to the format scrapheap, the digital revolution is now about to leave books on the high shelf of history that is, if publishers don’t wake up and log on now, says internet publishing guru, Jeff Gomez. Book writers, producers, distributors and readers must not only acknowledge these changes, but drive digital book creation, standards, storage and delivery as the first truly transformational thing to happen in the world of words since the printing press. Gomez explains how [in dead tree format and flexible, searchable eco-friendly ebook].

Synopsis
For over 1500 years, books have weathered numerous cultural changes remarkably unaltered. Through wars, shortages, radio, TV, computer games and fluctuating literacy rates, the bound stack of printed paper has, somewhat bizarrely, remained the more robust and culturally relevant way to communicate ideas. Now, for the first time since the Middle Ages, all that is about to change. Just as always-on communication has seen newspapers struggling for readers and relevance, and downloadable music has consigned the album to the format scrapheap, the digital revolution is now about to leave books on the high shelf of history - that is, if publishers don’t wake up and log on now, says internet publishing guru, Jeff Gomez. Book writers, producers, distributors and readers must not only acknowledge these changes, but drive digital book creation, standards, storage and delivery as the first truly transformational thing to happen in the world of words since the printing press. Gomez explains how [in dead tree format and flexible, searchable eco-friendly ebook].

  版权销售情况:  简体中文: 简体版权未售    繁体中文: 繁体版权未售 
 
 
代理商:大苹果 UNLOCKING THE MEANING OF LOST: AN UNAUTHORIZED GUIDE

页数: 293 到书日期: 2006-4-6 上传日期: 2005-10-27

中文概要:


英文简介: Rarely has a cult TV show reached the level of Lost: An average of 15,000,000 viewers per week, and 12 Emmy nominations in its first year, including a win for Best Drama Through it all, Lost has retained the core elements of a quality cult show: excellent writing, deep themes, and plot twists that keep its fans loyal, talking and guessing. Lost World is the first book to explore the philosophies and themes of the hit show. It serves as both a guide to the mysteries as well as an analysis of the issues that the characters face, and how these issues reflect our life and society. Topics include Second Chances, The Nature of Faith, Facing Fear and Loss, Finding One’s True Path. Lynette Porter is an associate professor in humanities in the Humanities & Social Sciences Department at Embry–Riddle Aeronautical University and has written critical analysis of The Lord of the Rings. David Lavery is the author of 9 books, including studies of Twin Peaks, The X-Files, and Buffy the Vampire Slayer.

  版权销售情况:  简体中文: 简体版权未售    繁体中文: 繁体版权未售 
 
 
代理商:大苹果 PANIC ATTACKS : MEDIA MANIPULATION AND MASS DELUSION

页数: 222 到书日期: 2004-10-5 上传日期: 2005-7-8

中文概要:


英文简介: There have been many media-induced cases of mass hysteria in the twentieth century - perhaps the Orson Welles Mercury Theater broadcast being the most notorious. On Sunday 30 October 1938, many Americans reportedly panicked after listening to a radio play depicting a Martian landing in Grovers Mill, New Jersey. It is still widely believed that the episode triggered suicides and heart attacks. Other accounts tell of terrorised residents clutching shotguns and barricading their homes, ready to defend loved ones against the Martians. The drama was produced by Orson Welles and the script was based on an 1898 science fiction classic, The War of the Worlds by H. G. Wells and was the beginning of a wave of Martian invasion scare stories. Robert Bartholomew and Hilary Evans, both experts in the history of unexplained phenomena, examine the ability of the media to whip up a panic and our tendency to fall victim to mass delusion and hysteria in this entertaining and searching book. Among some of the popular delusions they discuss are America’s ’kissing bug’ scare of 1899; Seattle’s atomic fallout fiasco of 1954; the phantom slasher of Tapei in 1956; Belgium’s recent Coca-Cola poisoning scare

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代理商:大苹果 THE COMPLETE GUIDE TO BOOK MARKETING

页数: 256 到书日期: 2004-7-2 上传日期: 2004-7-7

中文概要:


英文简介: This book marketing classic has been thoroughly revised to provide small- to medium-sized book publishers, authors, self-publishers, and publishing staff with the versatile strategies needed to succeed in today’smarketplace. It features systematic, cost-effective, result-oriented approaches to reaching the largest possible markets. Topics covered include: building brand identity, knowing your audience and soliciting useful feedback, creating an attractive book package, working with distributors, getting great placement, marketing to libraries, using the Internet, cultivating alternative markets, making the most of subsidiary rights, implementing an effective publicity campaign.

The Complete Guide to Book Marketing also includes a marketing timeline and checklist, sample press releases, direct-mail packages and PR pitch letters, as well as a list of helpful organizations, reference works, and key trade publications. This book is the leading resource for anyone seeking to understand and practice strategic book marketing.

  版权销售情况:  简体中文:   繁体中文: 繁体版权未售 
 
 
 
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