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代理商： 大苹果 |
VIETNAM ON THE BIG SCREEN: HOW THE VIETNAM WAR CHANGED HOLLYWOOD |
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页数： 224 到书日期： 1900-1-1 上传日期： 2026-2-11 |
中文概要:
英文简介: America, it is said, deals with its trauma through the medium of Hollywood, and few experiences have been more traumatic than its involvement in the Vietnam War. As the last US helicopters fled the American Embassy compound during the fall of Saigon, they left behind a country devastated by twenty years of death and destruction. They were heading back to a country that was damaged in a different way. The America that ended its involvement in Vietnam in 1975 was defeated, humiliated, divided and scarred. It was a bewildering transformation for a nation that considered itself to be on the right side of history. Only a generation earlier, Americans were united in celebrating the bravery of the GIs and Marines who stormed the beaches of Iwo Jima and Normandy. Now they were confronted with an uglier face of war: pointless sacrifice, disillusioned and mutinous soldiers, massacres of innocent civilians and the shooting of unarmed student protestors. For a long time America found it impossible to process the experience, until Hollywood led the way.
The movie industry had started out treating Vietnam like an extension of the Second World War. The gung-ho John Wayne action film The Green Berets (made with the full support of the Pentagon) had a simplistic “we’re the good guys” message. However, as American casualties mounted in Vietnam, social unrest erupted and the war’s aims looked ever murkier, the movie studios backed off. After The Green Berets in 1968 no major films were made about the conflict until the controversial and groundbreaking The Deer Hunter a decade later. The subject was deemed too hot to handle, although some brave filmmakers tackled it in roundabout ways (‘Soldier Blue’ was a re-telling of the My Lai massacre, set in the Old West).
Eventually, The Deer Hunter ripped off the sticking plaster and let daylight into the American experience in Vietnam. Its depiction of US soldiers as victims, not heroes, caused fights in movie theatres and led to questions in Congress. But it paved the way for the greatest run of war movies ever made. Apocalypse Now, Platoon, Full Metal Jacket and many more rewrote the grammar of combat films and helped a wounded nation come to terms with an unloved war.
This is the story of how those films got made, how they were received at the time and how they shaped the American experience of Vietnam. The names behind them are legends in the movie industry, from directors like Francis Ford Coppola, Stanley Kubrick and Michael Cimino to actors including John Wayne, Sylvester Stallone, Tom Cruise, Robert de Niro and Meryl Streep.
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| 代理商：大苹果 |
ABUNDANCE: A NOVEL |
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页数： 304 到书日期： 1900-1-1 上传日期： 2026-1-22 |
中文概要:
英文简介: Two generations of a Muslim Indian family grapple with what parts of life we control and what we must humbly accept in pursuit of the American dream--for readers of Min Jin Lee, Mohsin Hamid, and Ayad Akhtar In suburban Miami, sixty-year-old Sakeena--co-owner of a Dunkin’ franchise along with her husband, Ramzan--has nine months to live unless she consents to an organ transplant. Thirty years ago, at Ramzan’s behest, she left her beloved Rawalpindi, India, for the United States. In the years that followed, she compromised her belief in naseeb, the Muslim notion of destiny, and acquiesced to fertility treatments. This time, she is adamant that she should live as intended--without medical intervention. As her health deteriorates, Ramzan desperately seeks to reunite their grown children with the hope of convincing Sakeena to extend her life. But there are complications. Eldest daughter Fareen is consumed by an important business deal that, if successful, will land her a highly desired (and lucrative) promotion. Meanwhile, youngest son Adnan is living abroad and unable to return to the States due to his own unscrupulous business practices, a pattern stretching back to his adolescence. If they have any hope of saving their mother’s life, the siblings must take extraordinary action to wrestle with their life choices, actions that reveal the always-present tension between ambition and fate. Brought to life by prose that captures the spirit of contemporary Miami as effortlessly as it conveys the challenges of running a Dunkin’ franchise, Abundance is a beautiful, moving read from an exciting new American voice.
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| 代理商：大苹果 |
KANTIKA: A NOVEL |
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页数： 304 到书日期： 1900-1-1 上传日期： 2026-1-22 |
中文概要:
英文简介: A dazzling Sephardic multigenerational saga that moves from Istanbul to Barcelona, Havana, and New York, exploring displacement, endurance, and family as home. A kaleidoscopic portrait of one family’s displacement across four countries, Kantika―“song” in Ladino―follows the joys and losses of Rebecca Cohen, feisty daughter of the Sephardic elite of early 20th-century Istanbul. When the Cohens lose their wealth and are forced to move to Barcelona and start anew, Rebecca fashions a life and self from what comes her way―a failed marriage, the need to earn a living, but also passion, pleasure and motherhood. Moving from Spain to Cuba to New York for an arranged second marriage, she faces her greatest challenge―her disabled stepdaughter, Luna, whose feistiness equals her own and whose challenges pit new family against old. Exploring identity, place and exile, Kantika also reveals how the female body―in work, art and love―serves as a site of both suffering and joy. A haunting, inspiring meditation on the tenacity of women, this lush, lyrical novel from Elizabeth Graver celebrates the insistence on seizing beauty and grabbing hold of one’s one and only life.
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| 代理商：大苹果 |
THE CANNIBAL WHO OVERATE |
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页数： 224 到书日期： 1900-1-1 上传日期： 2026-1-22 |
中文概要:
英文简介: As manager of New York City’s finest luxury hotel The Beaumont, Pierre Chambrun is well acquainted with unreasonable requests from its patrons. When one of the rich rooftop suite owners demands the impossible for his annual birthday bash, Chambrun is unflustered; of course he can have exotic foods and flora flown in from all corners of the globe! No problem procuring the chorus of the Metropolitan Opera to sing "Happy Birthday!" No matter that birthday boy is the obnoxious and well-hated Aubrey Moon―a man who loves nothing better than destroying the lives of those who annoy him. Pierre is more than equal to the task. But when a high-society call girl commits suicide in one of the Beaumont’s suites, Pierre learns she’d been under pressure to murder Moon. He also discovers that there is a "Moon Club" made up of people with good reasons to wish the man dead. When an anonymous big spender offers $10,000 to any club member able to exterminate the menace, Chambrun works with his chief of security and the NYPD to catch the mastermind before the plot―and Moon―are executed.
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