对《为了钱》的褒奖：
“海林为音乐发行所涉及的所有纷繁错杂的事物做了一个完美的总结。”
“所有喜爱流行音乐的人都会非常喜欢这本书，他们可以了解到音乐录制过程中最真实复杂的故事，无论是蓝调还是摇滚，几乎每一页上都有宝贵的启示。”——罗伯特•赫尔本，《约翰•卡什：生活》作者
“在阅读了克林顿•海林对于全球音乐版权剽窃世界及影响的调查，似乎很难区分罪犯和圣人。他令人信服的描述让人们质疑了流行音乐界约定俗成的概念，并解开了许多历史上的谜团。”——彼得•道吉特，《销售世界的男人：大卫•鲍勃和70年代》
“非常敏锐的观察力，细节描述也很到位。”——约翰•裴瑞，《吉米•亨德里克斯的唱片》作者
“海林将音乐唱片的历史挖掘得非常深，一部令人印象深刻的作品。”——贝尼•霍斯金
“这本书的调查非常深入。”——《独立报》
“克林顿的这部作品是音乐唱片领域的杰作。”——《卫报》
“对流行音乐的发展有很好的指导作用。”——《新政治家》
“非常细致。”——《星期日泰晤士报》
“当音乐产业第一次出现的时候，音乐版权问题也随之而来了。海林分析了一个世纪以来唱片是如何发展得，以及如何强调是谁创作的这个问题，这个重要的问题将有巨大的影响力。”——李•来农德，《音速青年》
Praise for It’s One for the Money
‘Heylin has written the definitive book on the intricacies of music publishing’ The Times
’Essential reading for anyone who loves popular music and wants to know the real, complex story of how the music evolved; from the blues to rock, including fascinating, history-revising accounts of who really wrote what. It’s One for the Money is packed with invaluable revelations on virtually every page.’ Robert Hilburn, author of Johnny Cash: The Life
’After reading Clinton Heylin’s century-wide study of musical theft and influence, it’s impossible to distinguish the criminals from the saints. His compelling narrative questions the very notions of authenticity and originality in popular music, and overturns many of the myths on which its history has been built.’
Peter Doggett, author of The Man Who Sold The World: David Bowie And The 1970s
’With customary precision and a fine eye for detail, Heylin lifts the lid off the dustbin of Pop.’
John Perry, author of Jimi Hendrix’s Electric Ladyland (33 1/3)
’Heylin digs deep into the recesses of musical history to prove there is (almost) nothing new under the musical sun. An impressive work of research and wry commentary on the song-publishing racket.’ Barney Hoskyns
‘The book is fabulously well researched’ – The Independent
‘Clinton Heylin tells all on the megahits that were pilfered from their owners’ – The Guardian (10 Best feature, July)
‘A convincing slice of alternative history, but also with a terrific guide to the evolution of the popular song… well worth reading’ – New Statesman
‘Meticulous’ – The Sunday Times
’A fascinating story of sometimes blatant theft and the power struggles for "credit" that have been a part of the music "industry" since voices were first raised in song. Heylin examines the highways and byways by which one song is transformed into another across more than a century of popular music, and how infighting over "who wrote what" would have enormous impact on the lifespan of many bands and on the track listings of some of our most revered albums in a bid for a piece of the economic windfall that is publishing royalties.’ Lee Ranaldo, Sonic Youth