FRENCH CINEMA: FROM ITS BEGINNINGS TO THE PRESENT
Book ID/图书代码： 02000015B83989
English Summary/英文概要： To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Remi Lanzoni examines a considerable number of the world’s most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose, while at once concentrating more on the current generation of female directors, mainstream productions such as The Artist and The Intouchables, and the emergence of minority filmmakers (Beur cinema).
Chinese Summary/中文概要： 从很大程度上来说，法国电影的故事就是整个电影业的故事。从19世纪末期最早的闪动画面到无声时代、超现实主义的影响、纳粹占领法国、新浪潮的辉煌、20世纪90年代电影业的重生，直至今日，作者研究了大量全球最为人所喜爱的电影。本书是作者于2004年出版的畅销书的第二版，保留了编年体系的分析、可靠的事实、便捷的使用和简单明了的语言风格，同时更多地关注当代女性导演、诸如《艺术家》《无法触碰》等主流电影作品和少数民族制片人的崛起。（LYR）
Awards/获奖情况：本书对于任何希望认真学习或教授法国电影的读者来说是一部权威的作品。第二本不仅全新收录了21世纪初以来的重要法国电影，还增加了有关法国女性电影制片人以及法国电影近期在国际上的成就等内容的章节。本书语言简洁明了，引人入胜，成功地将法国电影的历史与法国的历史、人民和体制相结合。本书带读者进入了新纪元，因为它关注到了新一代的导演、他们的多样性、表达的自由性、以及他们运用各种新媒介使法国电影取得了国际性的成功。本书非常引人入胜。每个章节开头的历史、社会、政治背景使读者更好地理解各个时期的电影和导演。本书非常适合电影系的学生、教授以及热爱电影的读者阅读。Remi Fournier Lanzoni’s French Cinema. From Its Beginnings to the Present had already established itself as the authoritative reader for anyone serious about teaching and studying French cinema. This second edition not only brings us up to date the significant French films produced since the beginning of the twenty first century but it also provides welcome and much needed sub chapters dealing with French women filmmakers, Beur cinema, and the recent international accomplishments of French cinema. Written in an engaging, jargon free, and reader friendly style, Lanzoni’s book succeeds in connecting the history of French cinema to the history of France, its peoples, and its institutions. Alain-Philippe Durand, Professor of French and Director of the School of International Languages, Literatures, and Cultures, University of Arizona, USA The new edition of French Cinema brings us into the new millennium, as it sheds light on the new generation of directors, their diversity, freedom of expression, their use of new mediums to bring international success to French films. It is captivating. The historical, social and political background presented at the head of each chapter gives a deep understanding of the films and the directors. This book is the perfect companion for film students, professors, as well as anyone who loves cinema. Helene Laroche Davis, Professor of French and Film Studies, Notre Dame de Namur University, California, USA, and author of Robert Desnos: Une Vois, Un Chant, Un Cri
About the Author/作者介绍： Remi Fournier Lanzoni，法国人，美国Wake Forest大学副教授。著有几部有关电影的图书，并撰写了多篇有关意大利电影的文章。
Remi Fournier Lanzoni, a native of Lyon, France, is Associate Professor of Romance Languages at Wake Forest University, USA. He has written several books, among which are French Cinema: From its Beginnings to Present (Continuum, 2004) and Comedy Italian Style: The Golden Age of Italian Film Comedies (Continuum, 2009) as well as several articles on Italian cinema.
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Rights Status/版权销售情况：Simplified Chinese/简体中文：AVAILABLE
Complex/Traditional Chinese/繁体中文：AVAILABLE
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