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代理商:大苹果
页数:268
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上传日期:2018-4-27 0:00:00

LOVE BELONGS TO THOSE WHO DO THE FEELING: NEW AND SELECTED POEMS (1966-2006)

Book ID/图书代码: 11341618C00008

English Summary/英文概要: love belongs to those who do the feeling--an exciting collection of new and selected poetry by Judy Grahn. The book contains selections from Judy’s entire body of poetic work from The Work of a Common Woman, The Queen of Wands and The Queen of Swords, to new poems written between 1997 and 2008. Judy’s poetry is rangy and provocative. It has been written at the heart of so many of the important social movements of the last forty years that the proper word is foundational--Judy Grahn’s poetry is foundational to the spirit of movement. People consistently report that Judy’s poetry is also uplifting--an unexpected side effect of work that is aimed at the mind as well as the heart. Judy continues to insist that love goes beyond romance, to community, and that community goes beyond the everyday world, to the connective worlds of earth and spirit.

Chinese Summary/中文概要: 爱属于有感情的人——朱迪·格兰恩的一本令人兴奋的新诗集。这本书中包含了朱迪从一个普通女人的作品中挑选出来的作品,从一个普通女人的作品,到王母和宝剑女王的作品,再到1997年至2008年创作的新诗。朱迪的诗作很有煽动性。在过去的四十年里,许多重要的社会运动的核心都被写成了恰当的词——朱迪·格兰恩的诗歌是运动精神的基础。人们不断地报道朱迪的诗也令人振奋——这是一种意想不到的作用,不仅针对身体,也针对心灵。朱迪坚持认为,爱超越了浪漫,超越了社会,超越了日常世界,进入了地球和精神的连接世界。(WYL)

Awards/获奖情况:“我很高兴朱迪·格兰恩的令人惊叹的诗歌将再次为新一代所接受。她是一种现象——一个见证和行动的激烈诗人,一个有远见的人,有一颗坚强、富有同情心的心和一颗敏锐的智慧,根植于一种将神圣定位于亵渎者内心的精神。我们一起洞察她的智慧,她的压缩,节奏和声音,她的耳朵,她本能的对话,她的能力。,她普通的二十世纪女性的词汇以及古老和陈旧的使用语言:命名仪式,诅咒,恸哭,拼写铸件。任何阅读格兰恩的人都将终生改变。重复一遍:终身。”——艾丽西亚·奥斯特里特

“朱迪·格兰恩的名字取自一首纪念她第一个情人去世的诗,但“爱属于有感情的人”远非挽歌。它迸发出生命的能量。格兰恩将性爱描写成“艺术家之间的一种力量……”能量的融合激发了变革的欲望。她补充道,“用这种方式表达爱和精神。”另一位才华横溢的加州诗人杰克·斯派塞评论说,诗歌必须“相互呼应”“它们不能像我们这样孤独地生活。”这是如此的重复,我们在这精选的诗歌中发现。查尔斯·奥尔森的名言“改变的意愿”赋予了一切活力。格兰恩的导师格特鲁德·斯坦因坚持认为,诗人必须“在纯粹存在的兴奋中”工作;她必须“把那种强烈的感情重新融入语言中”。在这位“普通女性”的工作中,这种强度总是存在的,她通常都能在没有简化的情况下实现无障碍的奇迹。在我们的战争文化中。

I am thrilled that Judy Grahn’s amazing poetry will once again become available to a new generation. She is a phenomenon--a fierce poet of witness and action, a visionary, with a tough and compassionate heart and a piercing intelligence, rooted in a spirituality that locates the sacred in the belly of the profane. And what a writer! Look at her wit, her compression, her ear for rhythms and sounds, her instinct for dialogic tension, her ability to compose large structures held together as in music by expected and unexpected recurrences, her common woman’s twentieth century vocabulary along with ancient and archaic uses of language: naming as ritual, cursing, keening, spell- casting. Anyone who reads Grahn will be changed for life. Repeat: for life. --Alicia Ostriker

Judy Grahn takes her title from a poem commemorating the death of her first lover, but "love belongs to those who do the feeling" is far from elegiac. It bursts with life energy. Grahn writes of the erotic as "a force between artists...an enfusion of energy fueling the desire for change." "Belly dancers," she adds, "express love and spiritual community this way as well." Another brilliant California poet, Jack Spicer, remarked that poems must "echo and reecho against each other" "they cannot live alone any more than we can." It is such echoing and reechoing that we find in this selected poems. "The will to change"--Charles Olson’s phrase--animates everything. Grahn’s mentor Gertrude Stein insisted that the poet had to work "in the excitingness of pure being"; she must "get back that intensity into the language." Such intensity is always present in the work of this "common woman" who commonly achieves the miracle of accessibility without simplification. In our warmongering culture, the

I am thrilled that Judy Grahn’s amazing poetry will once again becomeavailable to a new generation. She is a phenomenon--a fierce poet ofwitness and action, a visionary, with a tough and compassionate heartand a piercing intelligence, rooted in a spirituality that locates thesacred in the belly of the profane. And what a writer! Look at herwit, her compression, her ear for rhythms and sounds, her instinct fordialogic tension, her ability to compose large structures heldtogether as in music by expected and unexpected recurrences, her common woman’s twentieth century vocabulary along with ancient and archaic uses of language: naming as ritual, cursing, keening, spell- casting. Anyone who reads Grahn will be changed for life. Repeat: for life.

About the Author/作者介绍: 朱迪·格兰恩是一位诗人、作家和社会理论家。她目前是加州帕洛阿尔托超个人心理学研究所的研究员。她曾是加州新学院女性灵性硕士和创造性调查MFA项目的主管。她的作品包括《爱属于有感情的人》(《红母鸡出版社》,2008),《血》,《面包》,《玫瑰》(《灯塔出版社》,1994),《爱德华·戴克》和其他诗歌》(《女人出版社》,1971)。

Judy Grahn is a poet, writer, and social theorist. She currently serves as Research Faculty for the Institute of Transpersonal Psychology in Palo Alto, California. She is former director of Women s Spirituality MA and Creative Inquiry MFA programs at New College of California. Her books include love belongs to those who do the feeling (Red Hen Press, 2008), Blood, Bread, and Roses (Beacon Press, 1994), and Edward the Dyke and Other Poems (The Women s Press Collective, 1971).

Format:HARDCOVER

Rights Status/版权销售情况:Simplified Chinese/简体中文:AVAILABLE

Complex/Traditional Chinese/繁体中文:AVAILABLE

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