BACH PERSPECTIVES, VOLUME 12: BACH AND THE COUNTERPOINT OF RELIGION
Book ID/图书代码： 13567518C00059
English Summary/英文概要： Johann Sebastian Bach was a Lutheran and much of his music was for Lutheran liturgical worship. As these insightful essays in the twelfth volume of Bach Perspectives demonstrate, he was also influenced by--and in turn influenced--different expressions of religious belief. The vocal music, especially the Christmas Oratorio, owes much to medieval Catholic mysticism, and the evolution of the B minor Mass has strong Catholic connections. In Leipzig, Catholic and Lutheran congregations sang many of the same vernacular hymns. Internal squabbles were rarely missing within Lutheranism, for example Pietists’ dislike of concerted church music, especially if it employed specific dance forms. Also investigated here are broader issues such as the close affinity between Bach’s cantata libretti and the hymns of Charles Wesley; and Bach’s music in the context of the Jewish Enlightenment as shaped by Protestant Rationalism in Berlin. Contributors: Rebecca Cypess, Joyce L. Irwin, Robin A. Leaver, Mark Noll, Markus Rathey, Derek Stauff, and Janice B. Stockigt.
Chinese Summary/中文概要： 约翰·塞巴斯蒂安·巴赫是路德教徒，他的大部分音乐都是为路德教的宗教崇拜而创作的。正如巴赫视角第十二卷中这些有洞察力的文章所展示的那样。他也受到了宗教信仰不同表达方式的影响-进而也受到了影响。声乐，特别是圣诞礼乐，在很大程度上要归功于中世纪天主教神秘主义，而著名的B小调弥撒曲的演变与天主教有着很强的联系。在莱比锡，天主教和路德教会吟唱了许多同样的方言赞美诗。在路德教内部的争吵很少被忽略，例如，虔诚派不喜欢教会的音乐，特别是如果它采用了特定的舞蹈形式的话。本书还研究了更广泛的问题，如巴赫的康塔塔·利布里蒂与查尔斯·韦斯利的赞美诗之间的密切关系;以及巴赫的音乐在犹太启蒙运动的背景下受到柏林新教理性主义的影响。(Sandy)
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About the Author/作者介绍： Robin A. Leaver is an emeritus professor of sacred music at Westminster Choir College, Princeton; honorary professor at Queen’s University, Belfast; and a recent visiting professor at the Institute of Sacred Music at Yale University. He is the general editor of The Routledge Research Companion to Johann Sebastian Bach.
Format:HARDCOVER
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