TITIAN’S TOUCH: ART, MAGIC AND PHILOSOPHY (RENAISSANCE LIVES)

Book ID/图书代码： 14932919C00004

English Summary/英文概要： At the end of his long, prolific life, Titian was rumored to paint directly on the canvas with his bare hands. He would slide his fingers across bright ridges of oil paint, loosening the colors, blending, blurring, and then bringing them together again. With nothing more than the stroke of a thumb or the flick of a nail, Titian’s touch brought the world to life. The clinking of glasses, the clanging of swords, and the cry of a woman’s grief. The sensation of hair brushing up against naked flesh, the sudden blush of unplanned desire, and the dry taste of fear in a lost, shadowy place. Titian’s art, Maria H. Loh argues in this exquisitely illustrated book, was and is a synesthetic experience. To see is at once to hear, to smell, to taste, and to touch. But while Titian was fully attached to the world around him, he also held the universe in his hands. Like a magician, he could conjure appearances out of thin air. Like a philosopher, his exploration into the very nature of things channelled and challenged the controversial ideas of his day. But as a painter, he created the world anew. Dogs, babies, rubies, and pearls. Falcons, flowers, gloves, and stone. Shepherds, mothers, gods, and men. Paint, canvas, blood, sweat, and tears. In a series of close visual investigations, Loh guides us through the lush, vibrant world of Titian’s touch.

Chinese Summary/中文概要： 在提香漫长而多产的一生结束时，有传言说提香会徒手直接在画布上作画。他会用手指滑过明亮的油彩脊，让颜色变得松散、混合、模糊，然后再把它们重新组合在一起。提香只用大拇指一划或指甲一弹，就把世界带进了生活。玻璃杯的丁当声，刀剑的铿锵声，还有女人悲伤的哭声。头发拂过裸露的肌肤的感觉，突如其来的欲望的脸红，以及在一个迷失的、阴暗的地方的恐惧的干涩味道。玛丽亚•洛在这本插图精美的书中指出，提香的艺术过去是、现在也是一种联觉体验。视觉即听觉、嗅觉、味觉和触觉。但是，提香在完全依恋周围世界的同时，也把宇宙握在自己的手中。就像魔术师一样，他能凭空变出各种形象。像哲学家一样，他对事物本质的探索引导并挑战了他那个时代有争议的观点。但作为一个画家，他重新创造了世界。狗，婴儿，红宝石和珍珠。猎鹰，鲜花，手套和石头。牧羊人、母亲、神和人类。绘画、画布、鲜血、汗水和眼泪。在一系列密切的视觉调查中，洛引导我们通过《提香之触》认识郁郁葱葱，充满活力的世界。（WYL）

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About the Author/作者介绍： 玛丽亚是纽约市立大学亨特学院艺术史教授。此前，她在伦敦大学学院艺术史系任教。她著有《提香再创作:早期意大利现代艺术的重复与转型》和《静物:死亡、欲望与老大师画像》。她在纽约和伦敦生活和工作。

Maria H. Loh is professor of art history at CUNY Hunter College. Previously she taught in the Department of History of Art at University College London. She is the author of Titian Remade: Repetition and the Transformation of Early Modern Italian Art and Still Lives: Death, Desire, and the Portrait of the Old Master. She lives and works in New York and London.

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Complex/Traditional Chinese/繁体中文：AVAILABLE

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