CINEMA IN CENTRAL ASIA: REWRITING CULTURAL HISTORIES
Book ID/图书代码： 06545012B56143
English Summary/英文概要： "Cinema in Central Asia" is the first comprehensive and up-to-date companion to Central Asian film from its origins to the present day. International specialists on the cinema of the region combine serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production, and consider the impact of film. They also give a deeper understanding of Central Asian culture, one that is invaluable with the economic emergence of Kazakhstan, Kyrgyszstan, Tajikistan, Turkmenistan and Uzbekistan. The first section is a broad history of the film industry and distinct phases of the post-Soviet film experience. The second includes incisive pieces explaining early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, and regional variations of post-Soviet filmmaking. The final section comprises biographic and filmographic entries on the principle figures of Central Asian cinema, providing scholars and filmgoers with a valuable reference.
Chinese Summary/中文概要： 对于中亚电影，从它兴起到现在，“电影在中亚”是第一个全面和最新的指南。国际专家在当地的电影院将严肃的学术研究和实际上得到的历史性的建设相结合，来讨论电影制作的各个方面和电影的影响。他们也赋予了中亚文化更深层次的理解，其中一个就是哈萨克斯坦，吉尔吉斯斯坦，塔吉克斯坦，土库曼斯坦和乌兹别克斯坦出现的宝贵的经济。第一个部分是电影业广阔的历史以及苏联解体后电影在不同阶段的体验。第二部分包括对电影机构、主题、二战对电影的影响、在苏联时期对身份的表达及抗议和后苏联时期的电影制作的深刻而精确的解释。最后一节包括传记电影和色青电影在金钱的原则上进入中亚电影市场，以及一些学者和影迷提供的有价值的参考。(LNL)
Awards/获奖情况：
About the Author/作者介绍： Michael Rouland 是俄罗斯和中亚的历史学家。他发表了大量关于音乐、电影和名族认同的文章。他曾在斯坦福和迈阿密大学任教。现在在乔治城大学任访问学者和讲师。 Gulnara Abikeyeva是国际欧亚电影节的艺术总监以及五本关于哈克斯坦和中亚摄影的书的作者。她也是国际联合会的电影批评家和亚洲电影促进网的成员。Michael Rouland is a historian of Russia and Central Asia. He has published widely on music, cinema, and national identity. He has taught at Stanford and Miami Universities and is currently a visiting scholar and lecturer at Georgetown University. Gulnara Abikeyeva is the artistic director of the International Eurasia Film Festival and an author of five books about cinematography of Kazakhstan and Central Asia. She is a member of the FIPRESCI (International Federation of the Cinema Critics) and NETPAC (Network for the Promotion of Asian Cinema.
Format:HARDCOVER
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